Intellectual Property

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Essay
Plagiarism, Copyright, and AI
Mark A. Lemley
William H. Neukom Professor of Law, Stanford Law School; partner, Lex Lumina LLP. Thanks to Brian Frye, James Grimmelmann, Rose Hagan, Matthew Sag, Pam Samuelson, and Jessica Silbey for comments on an earlier draft.
Lisa Larrimore Ouellette
Deane F. Johnson Professor of Law, Stanford Law School.

Critics of generative AI often describe it as a “plagiarism machine.” They may be right, though not in the sense they mean. With rare exceptions, generative AI doesn’t just copy someone else’s creative expression, producing outputs that infringe copyright. But it does get its ideas from somewhere. And it’s quite bad at identifying the source of those ideas. That means that students (and professors, and lawyers, and journalists) who use AI to produce their work generally aren’t engaged in copyright infringement. But they are often passing someone else’s work off as their own, whether or not they know it. While plagiarism is a problem in academic work generally, AI makes it much worse because authors who use AI may be unknowingly taking the ideas and words of someone else.

Disclosing that the authors used AI isn’t a sufficient solution to the problem because the people whose ideas are being used don’t get credit for those ideas. Whether or not a declaration that “AI came up with my ideas” is plagiarism, failing to make a good-faith effort to find the underlying sources is a bad academic practice.

We argue that AI plagiarism isn’t—and shouldn’t be—illegal. But it is still a problem in many contexts, particularly academic work, where proper credit is an essential part of the ecosystem. We suggest best practices to align academic and other writing with good scholarly norms in the AI environment.

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Comment
Volume 92.5
On FRAND-ly Terms: Examining the Role of Juries in Standard-Essential Patent Disputes
Marta Krason
B.S., Massachusetts Institute of Technology; M.S., Stanford University; J.D. Candidate 2026, The University of Chicago Law School.

I would like to thank Professor Jonathan Masur and the editors and staff of The University of Chicago Law Review, including Andy Wang, Zoë Ewing, Jonah Klausner, Karan Lala, Eric Haupt, Eugene DeCosse, and Helen Chamberlin, for their thoughtful advice and insights.

Holders of patents covering technology standards, known as standard-essential patents (SEP), control the rights to an invention with no commercially-viable alternative or that cannot be designed around while still complying with a standard. This gives SEP holders significant leverage in licensing negotiations. Standards development organizations (SDOs) play an important role in curbing opportunistic behavior by patent holders. SDOs require SEP holders to license their patents on fair, reasonable, and non-discriminatory (FRAND) terms. However, courts have mischaracterized FRAND commitments, concluding that these disputes carry a Seventh Amendment guarantee to a jury trial. This mischaracterization undermines the fair resolution of FRAND disputes, and a different approach is necessary. In this Comment, Marta Krason proposes an alternative analytical framework that more accurately characterizes FRAND disputes by drawing on principles from contract and property law, concluding that the constitutionally proper adjudicator is a judge, not a jury.

Online
Essay
Sedlik v. Drachenberg: Is a Body Merely a Canvas?
David Doktorman
David Doktorman is a J.D. Candidate at the University of Chicago Law School, Class of 2024.

He thanks Matthew Makowski, Renic Sloan, Annie Kors, and the University of Chicago Law Review Online team.

Tattooing is on the rise. No longer the taboo it once was, more and more Americans are opting to ink themselves as a mode of self-expression.

Online
Essay
Ninth Circuit Renames Copyright Estoppel the Asserted Truths Doctrine
Yiwei Jiang
Yiwei Jiang is a staff member of The University of Chicago Law Review and a J.D. Candidate in the University of Chicago Law School Class of 2022. She received her B.S. in chemical engineering from the California Institute of Technology in 2018.

A copyright ruling on the Broadway hit “Jersey Boys” paves the way for creators to make projects that are based on a true story.

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Article
76.2
Claiming Intellectual Property
Jeanne C. Fromer
Associate Professor, Fordham Law School

For insightful discussions and comments, I claim appreciation to Arnaud Ajdler, Ian Ayres, Michael Birnhack, Miriam Bitton, Robert Brauneis, Dan Burk, Kevin Collins, Christopher Cotropia, Kevin Davis, Rochelle Dreyfuss, John Duffy, Brett Frischmann, John Golden, Wendy Gordon, Hugh Hansen, Scott Hemphill, Timothy Holbrook, Bert Huang, Sonia Katyal, Amir Khoury, Roberta Kwall, Jeffrey Lefstin, Mark Lemley, Douglas Lichtman, Clarisa Long, Michael Madison, Peter Menell, Joseph Scott Miller, Mark Patterson, Anthony Reese, Pamela Samuelson, Susan Scafidi, Katherine Strandburg, Polk Wagner, Tim Wu, Shlomit Yaniski-Ravid, Benjamin Zipursky, and participants at the Seventh Annual Intellectual Property Scholars Conference, 2009 Stanford/Yale Junior Faculty Forum, and in workshops at Bar-Ilan, Brooklyn, Columbia, Fordham, and George Washington law schools.

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Article
78.1
Contracting around Copyright: The Uneasy Case for Unbundling of Rights in Creative Works
Guy A. Rub
Associate, Munger, Tolles & Olson LLP; SJD Candidate 2011, University of Michigan Law School

For helpful comments, I thank Omri Ben-Shahar, Rebecca S. Eisenberg, Margaret J. Radin, and the participants in the Law and Economics workshop at the University of Michigan Law School and the Licensing of Intellectual Property Symposium at The University of Chicago Law School. The views expressed in this work, as well as all remaining errors, are, of course, my own.